The author reflects on the themes of identity and self-perception while watching the Korean drama "Kill Me, Heal Me." They explore how individuals embody multiple roles and emotions in daily life, drawing parallels to psychological theories and Bharatanatyam dance. Ultimately, they suggest that healing involves embracing all aspects of oneself rather than conforming to a single identity.
Tag: ChaiGupshup
From Pebbles to Planets — A Poetic Journey Across Languages
"Adhoore Across Worlds" explores the emotional depth of the Hindi song "Adhoore," interpreting its essence in English and Traditional Chinese. The poem reflects on connection, presence, and the idea of reaching out across distances without expectation. It celebrates incompleteness as a continuous journey rather than a lack, inviting a shared, universal experience.
Relearning Movement: A Long Conversation Between My Hand and Me
A story of resilience, physiotherapy, and the gentle art of returning to everyday life through patience, perseverance, humour, and the support of others.
A Journey into the World of Asian Graphic Novels
Asian graphic novels transcend the typical superhero narrative, exploring diverse themes like love, trauma, and everyday life. Originating from rich traditions predating Western graphic novels, they encompass various styles, from shōnen to webtoons. Notable works like Dong-Hwa Kim's The Color Trilogy illustrate this depth, inviting readers into a unique literary world.
Review: Maa Behen (2026) | The Laughter That Refused Shame
On a hot afternoon post physiotherapy, the author reflects on the film Maa Behen. Unlike Jaane Bhi Do Yaaro, which uses a corpse for comedic chaos, this film explores women's societal struggles and perceptions through nuanced humour. The story emphasises patriarchy and judgment, culminating in the liberating laughter of three women rejecting shame imposed by society.
Korean Drama Review | 1% of Something (2016) | My Take
The content explores the differences between theatre and television as storytelling mediums, emphasising theatre's immediate audience connection versus television's technical enhancements. It focuses on the drama "1% of Something," portraying the evolution from conflict to love between two characters in a contractual dating scenario, enriched by strong supporting roles and a comforting narrative.
Afternoon That Needed No Explanation
The author shares their journey into premium seasonal chai, highlighting their positive experience with Teabox. Particularly fond of the Koilamari tea, they reflect on the simplicity of enjoying it without fuss or expectation. This chai represents a refreshing relationship devoid of demands, offering comfort and clarity amid a busy afternoon.
Varanasi Chai from Teabox | Sadly Not Mine
The author reflects on their deep appreciation for chai, particularly the experience of making and enjoying it alone. They express disappointment with Varanasi Masala Chai’s flavour, comparing it to their past marriage, marked by communication issues and differing values. Ultimately, both relationship and tea require harmony, which they found lacking.
The Art of Cooking and the Learning of It Are Two Separate Things!
The author reflects on their journey from an inexperienced cook in childhood to finding joy in cooking as an adult. Initially relying on their mother for guidance, she faced challenges in a foreign kitchen. Over time, she developed skills and confidence, enjoying the cooking process and embracing self-learning through experimentation.
The Magic of Mango Season: A Child-Adult’s Fantasy
Summer apps sell golden-hued and lush mangoes which are CGI improved. They are not like Mangoes from my childhood. I remember. Kailash's divine fruit. Srivatsam's sticky wars. A kotai sucked clean, believing it to be the crowning glory of summer. Teacher Periamma spoons. Banganepalli with decorum. Now, just memory — sweet, aching, ripe. This is not a recipe. It's a return.
